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China factory - Changshu Sysen glass products Co. Ltd.

Changshu Sysen glass products Co. Ltd.

  • China,Suzhou ,Jiangsu
  • Verified Supplier

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China colour of natural daylight“Antique” glass remains the basic material used in
China colour of natural daylight“Antique” glass remains the basic material used in

  1. China colour of natural daylight“Antique” glass remains the basic material used in
  2. China colour of natural daylight“Antique” glass remains the basic material used in
  3. China colour of natural daylight“Antique” glass remains the basic material used in
  4. China colour of natural daylight“Antique” glass remains the basic material used in

colour of natural daylight“Antique” glass remains the basic material used in

  1. MOQ: 1 PIECE
  2. Price: Negotiable
  3. Get Latest Price
Payment Terms L/C, T/T
Supply Ability 8000 PIECE MONTH
Delivery Time 25 DAYS
Packaging Details plywood packing
function keep warm artist thermal insulation sound insulation
size Custom design availble
Caming available brass, nickel, patina.
Electroplating chrome, black chrome, satin nickel
Application building
Brand Name SYSEN
Model Number S008
Certification IGCC IGMA
Place of Origin CHANGSHU CHINA

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  1. Product Details
  2. Company Details

Product Specification

Payment Terms L/C, T/T Supply Ability 8000 PIECE MONTH
Delivery Time 25 DAYS Packaging Details plywood packing
function keep warm artist thermal insulation sound insulation size Custom design availble
Caming available brass, nickel, patina. Electroplating chrome, black chrome, satin nickel
Application building Brand Name SYSEN
Model Number S008 Certification IGCC IGMA
Place of Origin CHANGSHU CHINA
High Light art glass window panels wooden door glass

 

Materials And Techniques

Contrary to popular belief, the glassmaker and the stained-glass artist could seldom have been the same person even in the earliest times; in fact, the two arts were rarely practiced at the same location. The glassmaking works was most readily set up at the edge of a forest, where the tremendous quantities of firewood, ash, and sand that were necessary for the making of glass could be found, whereas the stained-glass-window-making studios were normally set up near the major building sites. The stained-glass artist, thus, has always been dependent upon the glassmaker for his primary material. Coloured with metallic oxides while in a molten state—copper for ruby, cobalt for blue, manganese for purple, antimony for yellow, iron for green—sheets of medieval glass were produced by blowing a bubble of glass, manipulating it into a tubular shape, cutting away the ends to form a cylinder, slitting the cylinder lengthwise down one side, and flattening it into a sheet while the glass was still red hot and in a pliable state. It was then allowed to cool very slowly in a kiln so that it would be properly annealed and not too difficult to cut up into whatever shapes might be required for the design. Since these sheets of glass, with the exception of a type known as flashed glass, were intrinsically coloured with one basic colour throughout, changes from one colour to another in the design of a window could be effected only by introducing separate pieces of glass in each of the requisite colours.

Whether by accident or by deliberate intent, the glass made in the 12th and 13th centuries had almost the ideal combination of crudity and refinement for stained glass. The sheets, 10 by 12 inches (25 by 30 centimetres) in size, were both flat enough and thin enough to be cut very accurately into the necessary shapes, yet still variable enough in thickness (from less than 1/8inch [3 millimetres] to as much as 5/16 inch [8 millimetres]) to have rich transitions in the depth of their colours. With the progress of glass technology in the Middle Ages and Renaissancecame the ability to produce larger, thinner, and flatter sheets of glass in a considerably larger range of colours than had been possible in the 13th century. At each distinguishable stage in this development, however, the glass became less visually interesting as an aesthetic element in its own right. The Gothic Revivalists later recognized this effect, and in the mid-19th century they initiated a return to the earlier methods of producing glass. They developed the so-called “antique” glass, which is remarkably similar in colour, texture, and shading to the glass that was used in the 12th- and 13th-century windows. “Antique” glass remains the basic material used in stained-glass windows to this day.

Company Details

Bronze Gleitlager

,

Bronze Sleeve Bushings

 and 

Graphite Plugged Bushings

 from Quality China Factory
  • Business Type:

    Manufacturer,Trading Company

  • Year Established:

    2013

  • Total Annual:

    80Million-150Million

  • Employee Number:

    100~120

  • Ecer Certification:

    Verified Supplier

SYSEN Glass  Building  Materials  C.,Ltd  . a  leading manufacturer in  China  specializing in  decorative glass. Internal  blinds and  decorative  iorn  products .  it's located nearby Yangzi Rive area. it  is ... SYSEN Glass  Building  Materials  C.,Ltd  . a  leading manufacturer in  China  specializing in  decorative glass. Internal  blinds and  decorative  iorn  products .  it's located nearby Yangzi Rive area. it  is ...

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  • Changshu Sysen glass products Co. Ltd.
  • Zhoushi Road ,Shiqiao Village,Meili Town, Changshu City , Suzhou Province, China
  • https://www.decorativepanelglass.com/

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